Seven Faces of Brazilian Poetry Since Modernism: A Journey Through Literary Evolution

Brazilian poetry, with its rich history and vibrant cultural tapestry, has undergone a profound evolution since the advent of Modernism in the early 20th century. This literary movement marked a radical departure from traditional forms and themes, paving the way for a multitude of diverse and innovative voices to emerge. Over the decades, Brazilian poetry has continued to evolve, reflecting the changing social, political, and cultural landscapes of the country.

Seven Faces: Brazilian Poetry Since Modernism

by Charles A. Perrone

5 out of 5

Language	:	English
File size	:	3133 KB
Text-to-Speech	:	Enabled
Screen Reader	:	Supported
Enhanced typesetting	:	Enabled
Print length	:	247 pages

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1. Modernism (1920s-1940s)

Modernism in Brazilian poetry was characterized by a bold rejection of traditional forms and themes. Poets such as Mário de Andrade, Oswald de Andrade, and Manuel Bandeira experimented with free verse, everyday language, and urban imagery. They sought to break down the boundaries between high and low culture, incorporating elements of popular culture into their work. Modernism also had a strong political dimension, with poets actively engaging with social and political issues of the time.

2. Neo-Modernism (1940s-1950s)

Neo-Modernism emerged as a reaction to the perceived excesses of Modernism. Poets such as Carlos Drummond de Andrade and Cecilia Meireles sought a more balanced approach, blending traditional elements with modernist innovations. Neo-Modernist poetry was often characterized by a contemplative tone and a focus on personal experiences and emotions.

3. Concrete Poetry (1950s-1960s)

Concrete poetry was a groundbreaking movement that sought to create poems that were visual and spatial in nature. Poets such as Augusto de Campos, Haroldo de Campos, and Décio Pignatari experimented with typography, layout, and the use of non-verbal elements. Concrete poetry aimed to challenge traditional notions of language and to explore the possibilities of poetic expression beyond the written word.

4. Tropicalism (1960s-1970s)

Tropicalism was a vibrant and eclectic movement that emerged during the military dictatorship in Brazil. Poets such as Gilberto Gil, Caetano Veloso, and Torquato Neto blended elements of Brazilian popular culture, international avant-garde, and traditional poetry. Tropicalism was a celebration of Brazilian identity and culture, and it became a symbol of resistance against the authoritarian regime.

5. Marginal Poetry (1970s-1980s)

Marginal poetry emerged as a counterculture movement during the military dictatorship. Poets such as Ana Cristina César, Charles Bukowski, and Chacal wrote about the marginalized and disenfranchised, using raw and often violent language. Marginal poetry was a powerful voice of protest against the social and political oppression of the time.

6. Post-Modernism (1980s-Present)

Post-Modernism in Brazilian poetry has been characterized by a rejection of grand narratives and a focus on fragmentation, ambiguity, and intertextuality. Poets such as Paulo Leminski, Alice Ruiz, and Waly Salomão have experimented with different forms and techniques, challenging traditional notions of poetry and exploring the limits of language.

The evolution of Brazilian poetry since Modernism has been a remarkable journey of innovation, experimentation, and diversity. From the radical departures of Modernism to the challenging explorations of Post-Modernism, Brazilian poets have continuously pushed the boundaries of poetic expression. Through their unique voices and perspectives, they have created a rich and vibrant body of work that reflects the changing social, political, and cultural landscapes of Brazil.

Seven Faces: Brazilian Poetry Since Modernism

by Charles A. Perrone

5 out of 5

Language	:	English
File size	:	3133 KB
Text-to-Speech	:	Enabled
Screen Reader	:	Supported
Enhanced typesetting	:	Enabled
Print length	:	247 pages

FREE